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Xscape: nuevo álbum de MJ - 13 mayo *SÓLO NOTICIAS*
- Iniciador del tema Xtarlight
- Fecha de inicio
MJFanatik
MJ HooD FANATIK
Hoy a las 09:30 h en el programa de Radio Atalaya Cabra 107.3 FM "Cine En La Terraza" hablaremos de dos grandes películas de estreno esta semana, "Malditos Vecinos" y "3 Días Para Matar".
Además estrenaremos en exclusiva y por primera vez en una radio la versión original del tema inédito de Michael Jackson "Slave To The Rhythm".
¿Te lo vas a perder? Escúchanos online aquí:
Radio Atalaya de Cabra
Fuente: Radio Atalaya Cabra 107.3 FM
Además estrenaremos en exclusiva y por primera vez en una radio la versión original del tema inédito de Michael Jackson "Slave To The Rhythm".
¿Te lo vas a perder? Escúchanos online aquí:
Radio Atalaya de Cabra
Fuente: Radio Atalaya Cabra 107.3 FM
Confirmado en varias webs Japonesas, el tracklist de la edición deluxe no contiene ningún extra/cambio:llorando:
La única diferencia que se aprecia con respecto a los demás países, es que el DVD solo contiene una pista de 26 minutos. Tenía una pequeña esperanza de que la edición limitada de Japón tuviera algún extra....:llorando:
La única diferencia que se aprecia con respecto a los demás países, es que el DVD solo contiene una pista de 26 minutos. Tenía una pequeña esperanza de que la edición limitada de Japón tuviera algún extra....:llorando:
Unboxing de la edición deluxe:
Edicion caja caja de plastico
https://www.youtube.com/watch?v=M3bWRvsxuR8
Edición digipack...
https://www.youtube.com/watch?v=2rkVBu9NO5w
Saludos,
Sunset
Edicion caja caja de plastico
https://www.youtube.com/watch?v=M3bWRvsxuR8
Edición digipack...
https://www.youtube.com/watch?v=2rkVBu9NO5w
Saludos,
Sunset
Última edición:
gothamj
Hideouter Viejuner
Walt
2
Tal y como yo me imaginaba, la "performance que hará historia" relacionada con MJ en los Billboard Music Awards este domingo, será con un holograma. Confirmado por Billboard Brasil.
Michael Jackson como você nunca viu antes no BMA 2014 |
Michael Jackson como você nunca viu antes no BMA 2014 |
XSCAPE (Album)
#1 Armenia
#1 Bahrain
#1 Belgium
#1 Denmark
#1 Egypt
#1 Estonia
#1 Latvia
#1 Lithuania
#1 Luxembourg
#1 Sweden
#1 Taiwan
#1 Turkey
#1 Uzbekistan
#2 Azerbaijan
#2 Belarus
#2 Namibia
#2 Netherlands
#2 Switzerland
#2 United Arab Emirates
#3 Brunei Darussalam
#3 Finland
#3 Germany
#3 Greece
#3 Netherlands
#3 Poland
#3 Slovakia
#4 Austria
#4 Azerbaijan
#4 India
#4 Ireland
#4 Macau
#5 Thailand
#7 Colombia
#7 Hong Kong
#7 Lebanon
#7 Mozambique
#8 Ghana
#8 Mexico
#8 Romania
#9 Chile
#9 France
#9 Norway
#9 Spain
#9 Sweden
#10 Czech Republic
#1 Armenia
#1 Bahrain
#1 Belgium
#1 Denmark
#1 Egypt
#1 Estonia
#1 Latvia
#1 Lithuania
#1 Luxembourg
#1 Sweden
#1 Taiwan
#1 Turkey
#1 Uzbekistan
#2 Azerbaijan
#2 Belarus
#2 Namibia
#2 Netherlands
#2 Switzerland
#2 United Arab Emirates
#3 Brunei Darussalam
#3 Finland
#3 Germany
#3 Greece
#3 Netherlands
#3 Poland
#3 Slovakia
#4 Austria
#4 Azerbaijan
#4 India
#4 Ireland
#4 Macau
#5 Thailand
#7 Colombia
#7 Hong Kong
#7 Lebanon
#7 Mozambique
#8 Ghana
#8 Mexico
#8 Romania
#9 Chile
#9 France
#9 Norway
#9 Spain
#9 Sweden
#10 Czech Republic
En Argentina, los Billboard Awards por TNT domingo 18-5 a las 21 horas.
Michael Jackson's 'Xscape' feels shockingly vital
By: Randall Roberts, Los Angeles Times
May 9, 2014, 3:05 PM
From the first, there was the voice, and with it Michael Jackson crafted beauty. The sequins and moonwalk came later..
Even as a tyke he captivated with tonal purity, and in the intervening four decades and 10 studio solo albums that voice was a unifier, one nestled not just within universal playlists but our very neurons — as anyone who's ever awakened with the bass line to "Billie Jean" or the chorus to "Rock With You" out-of-the-blue rolling through their heads can attest. "You've got to feel that heat" indeed.
Nearly five years after his death, that voice remains, and is at its most powerful on the new album "Xscape." Eight songs that use Jackson demos as blueprints to construct modern, vibrant tracks, the artist's second posthumous album of studio recordings feels shockingly vital, as though the producers charged with re-imagining this work had harnessed dance floor defibrillators.
Equally alive are the eight demos of these songs included with the deluxe package, resulting in a strong addition to the King of Pop conversation. At nearly every turn, "Xscape" succeeds in its intended goal of "finding new and compelling ways to capture the essence, the excitement and the magic that is Michael Jackson," as stated in the liner notes.
Considering one of those eight is a riff on soft rock band America's "A Horse With No Name," that's no small feat. (The deluxe package's final track pairs inheritor Justin Timberlake with Jackson for a fake duet of "Love Never Felt So Good." It's superfluous.)
From the first lines of the first song, the Paul Anka-penned, "Love Never Felt So Good," "Xscape" confirms that hearing Michael sing "new" material can still be a mystical experience, and throughout the freshly produced recordings the sound of a still-vital spirit rushes into the present with revived energy.
You can hear his breath in the slow-burning "Chicago," about an innocent tryst gone wrong, can nearly touch the quiver in his falsetto during "Loving You." "Blue Gangsta" is pure funk, with a vocal take that's toe-curlingly gorgeous and a conceit that ups the "Smooth Criminal" vibe. That crack of emotion, heard in headphones, races to the pleasure center, while the track's producers, including Dr. Freeze, Timbaland and Jerome "J-Roc" Harmon, build a sonic Robocop to support it.
In fact, "Xscape" often passes the skeptic's test.
Does it swing? Yes. Does it feel like a contractual obligation album? No. Does it honor Jackson's legacy? Yes. Can you dance to it? God yes. Can you mash to it? Certainly.
The product of "album producer/curator" Antonio "L.A." Reid and executive producers Timbaland and Jackson's estate overseers, the release offers sonic holograms of the best possible kind. This is especially true of the Rodney Jerkins-produced title track, which closes the album with robotic glory, and the nearly perfect opener, "Love Never Felt So Good."
Which, honestly, comes as a relief, because one sure way to destroy great art is through unchecked exploitation.
By the time Elvis Presley was four years gone, for example, his estate had authorized 12 different releases, and by the 10th anniversary Presley's ghost had been monetized for 24 different authorized albums. The King's reputation suffered. The Jimi Hendrix estate has so diluted the market with the late guitarist's outtakes that it's hard to know where to start and stop.
As such, Jackson's fans are rightly concerned about taggers painting mustaches on his Mona Lisas. Too, they're wary of being force-fed music by those charged with maximizing the estate's profits.
To its credit, Jackson's estate has so far been miserly, only issuing one other posthumous release of studio recordings, "Michael," from 2010. Another offering, the "Bad 25" anniversary edition, came out in 2012. The one aesthetic dud, the oft-ridiculous Cirque du Soleil production "Immortal," nonetheless has been a blockbuster as it's toured the world.
One measure of this effort's success? Jackson accomplishes something virtually impossible when, during "A Place with No Name," he makes soft rock vocal group America sound funky. A lost-in-the-desert re-imagining of the early '70s song, his demo is utterly surprising, like Frank Ocean turning an Eagles song into his "American Wedding." As updated by Swedish dance-pop masters Stargate (Ylvis' "The Fox," Rihanna's "Diamonds," "Firework" by Katy Perry), the new track thumps with classic hooks and melodies.
Thematically, "Do You Know Where Your Children Are" is less effective at its message than Prince's "Sign O' the Times," and showcases the more tiresome touchy-feely side of late-period MJ, the sweet protector of innocents who moralized on youth troubles and absentee parents with an admirable, if indulgent, righteousness. The original "Slave to the Rhythm" sounds more like a Roger Troutman and Zapp jam than an MJ track, with a gravel and growl that's fierce and convincing. Updated by executive producer L.A. Reid and others, its sturdiness is impressive.
By the conclusion, the producers have posited a future for hologram Michael, one that shimmers with surreality, capturing the idea of artist as cipher, and temporarily blinding us to the truth that his remains are entombed in Glendale. At the same time, "Xscape" offers a chance to once again be whisked back to his creative prime and recall the man before his flaws felled him, when he was untouchable.
http://www.latimes.com/entertainment...10-column.html
By: Randall Roberts, Los Angeles Times
May 9, 2014, 3:05 PM
From the first, there was the voice, and with it Michael Jackson crafted beauty. The sequins and moonwalk came later..
Even as a tyke he captivated with tonal purity, and in the intervening four decades and 10 studio solo albums that voice was a unifier, one nestled not just within universal playlists but our very neurons — as anyone who's ever awakened with the bass line to "Billie Jean" or the chorus to "Rock With You" out-of-the-blue rolling through their heads can attest. "You've got to feel that heat" indeed.
Nearly five years after his death, that voice remains, and is at its most powerful on the new album "Xscape." Eight songs that use Jackson demos as blueprints to construct modern, vibrant tracks, the artist's second posthumous album of studio recordings feels shockingly vital, as though the producers charged with re-imagining this work had harnessed dance floor defibrillators.
Equally alive are the eight demos of these songs included with the deluxe package, resulting in a strong addition to the King of Pop conversation. At nearly every turn, "Xscape" succeeds in its intended goal of "finding new and compelling ways to capture the essence, the excitement and the magic that is Michael Jackson," as stated in the liner notes.
Considering one of those eight is a riff on soft rock band America's "A Horse With No Name," that's no small feat. (The deluxe package's final track pairs inheritor Justin Timberlake with Jackson for a fake duet of "Love Never Felt So Good." It's superfluous.)
From the first lines of the first song, the Paul Anka-penned, "Love Never Felt So Good," "Xscape" confirms that hearing Michael sing "new" material can still be a mystical experience, and throughout the freshly produced recordings the sound of a still-vital spirit rushes into the present with revived energy.
You can hear his breath in the slow-burning "Chicago," about an innocent tryst gone wrong, can nearly touch the quiver in his falsetto during "Loving You." "Blue Gangsta" is pure funk, with a vocal take that's toe-curlingly gorgeous and a conceit that ups the "Smooth Criminal" vibe. That crack of emotion, heard in headphones, races to the pleasure center, while the track's producers, including Dr. Freeze, Timbaland and Jerome "J-Roc" Harmon, build a sonic Robocop to support it.
In fact, "Xscape" often passes the skeptic's test.
Does it swing? Yes. Does it feel like a contractual obligation album? No. Does it honor Jackson's legacy? Yes. Can you dance to it? God yes. Can you mash to it? Certainly.
The product of "album producer/curator" Antonio "L.A." Reid and executive producers Timbaland and Jackson's estate overseers, the release offers sonic holograms of the best possible kind. This is especially true of the Rodney Jerkins-produced title track, which closes the album with robotic glory, and the nearly perfect opener, "Love Never Felt So Good."
Which, honestly, comes as a relief, because one sure way to destroy great art is through unchecked exploitation.
By the time Elvis Presley was four years gone, for example, his estate had authorized 12 different releases, and by the 10th anniversary Presley's ghost had been monetized for 24 different authorized albums. The King's reputation suffered. The Jimi Hendrix estate has so diluted the market with the late guitarist's outtakes that it's hard to know where to start and stop.
As such, Jackson's fans are rightly concerned about taggers painting mustaches on his Mona Lisas. Too, they're wary of being force-fed music by those charged with maximizing the estate's profits.
To its credit, Jackson's estate has so far been miserly, only issuing one other posthumous release of studio recordings, "Michael," from 2010. Another offering, the "Bad 25" anniversary edition, came out in 2012. The one aesthetic dud, the oft-ridiculous Cirque du Soleil production "Immortal," nonetheless has been a blockbuster as it's toured the world.
One measure of this effort's success? Jackson accomplishes something virtually impossible when, during "A Place with No Name," he makes soft rock vocal group America sound funky. A lost-in-the-desert re-imagining of the early '70s song, his demo is utterly surprising, like Frank Ocean turning an Eagles song into his "American Wedding." As updated by Swedish dance-pop masters Stargate (Ylvis' "The Fox," Rihanna's "Diamonds," "Firework" by Katy Perry), the new track thumps with classic hooks and melodies.
Thematically, "Do You Know Where Your Children Are" is less effective at its message than Prince's "Sign O' the Times," and showcases the more tiresome touchy-feely side of late-period MJ, the sweet protector of innocents who moralized on youth troubles and absentee parents with an admirable, if indulgent, righteousness. The original "Slave to the Rhythm" sounds more like a Roger Troutman and Zapp jam than an MJ track, with a gravel and growl that's fierce and convincing. Updated by executive producer L.A. Reid and others, its sturdiness is impressive.
By the conclusion, the producers have posited a future for hologram Michael, one that shimmers with surreality, capturing the idea of artist as cipher, and temporarily blinding us to the truth that his remains are entombed in Glendale. At the same time, "Xscape" offers a chance to once again be whisked back to his creative prime and recall the man before his flaws felled him, when he was untouchable.
http://www.latimes.com/entertainment...10-column.html
Y este anuncio en otra parte de Barcelona, lo vi esta noche xD
Última edición:
Oportunismo y legado: Michael Jackson vuelve a cinco años de su muerte
El martes aparece su segundo disco póstumo, en una serie de rescates que aún no se agotan.
Un año había pasado desde la muerte de Michael Jackson y a varios les pareció que el cuerpo aún no se enfriaba. En un tono diplomático, el productor Rodney “Darkchild” Jenkins (Destiny’s child) recordó que tanto a él como a otros técnicos cotizados de la industria se les tentó para tomar el mando de Michael, el primer álbum póstumo del rey del pop, que apareció cerca de un año después que el astro falleciera, el 25 de junio de 2009. Pero era demasiado pronto. “Se me ofreció participar en unas cinco canciones, pero encontré que no era el momento”, dijo.
Tres años después, sin embargo, se acabó el luto. Michael Jackson vuelve a poner su firma sobre un disco de ocho canciones inéditas, todas exhumadas de grabaciones comprendidas entre 1983 y 1999 y vestidas de ropas modernas por productores como Timbaland (M.I.A., Justin Timberlake), el mismo Jenkins, el dúo sueco Starlight, Jerome “J-Roc” Harmon y John McClain, este último a cargo de cuidar los intereses de los sucesores del cantante de Bad. Todos fueron supervisados por Antonio “L.A.” Reid, el productor general del legado más allá de la vida de Jackson.
Xscape, el nuevo disco, estará disponible desde el martes, en un segundo intento por capitalizar los restos del músico después que Michael apenas rozó las expectativas: entró tercero al ranking Hot 100 de Billboard para su estreno y ha vendido 540 mil copias; un número menor, desprestigiado además por los alegatos de su hermano Randy Jackson, quien denunció que la voz que ahí se escuchaba no era la de su hermano.
Detrás de todo, hay un contrato de 250 millones de dólares, que acordó Sony junto a los herederos de Jackson para hacerse con 10 discos del cantante durante siete años. El botín lo ameritaba: según L.A. Reid, “dos docenas” de grabaciones están maduras para una mezcla como la de Xscape, con la voz grabada desde principio a fin, pensando en la canción completa y con varias tomas vocales. Las versiones crudas de esas grabaciones vienen incluidas en la edición de lujo del álbum.
El grado de avance en las canciones, básicamente, fue lo que terminó por convencer al equipo artístico. “Será mi legado”, afirmó Timbaland en una entrevista de mediados de 2013, después de escuchar Chicago, una de las pistas bajo su tutela. “Mi primera reacción fue ‘de ninguna manera’. Soy un fan tan leal que me pareció demasiado. Pero seguí escuchando esta canción y se sentía tan bien”, comentó Justin Timberlake -voz invitada en una de las versiones de Love never felt so good, el corte más antiguo en la colección, que procede de un demo de 1983.
En el otro extremo, la canción que da título al álbum, Xscape, es la más fresca, con denominación de origen en las sesiones para Invincible de 2001. Y tal como para ese lanzamiento, la tesis tras Xscape es actualizar al sonido actual todos los descartes que Jackson decidió nunca sacar a la luz, pero que -de una forma y otra- ya habían asomado, como Slave to the Rhythm (de las sesiones de Dangerous, 1991), una pista que hace un par de años, Justin Bieber completó para una publicidad de teléfonos. La lista la completan Loving you, A place with no name, Do you know where your children are y Blue gangsta.
Hasta el momento, el impacto del álbum ha sido moderado (ver crítica). “Son casi errores, ejemplos menores de las ideas que explotó mejor en cualquier otro lado”, escribió Jon Pareles del New York Times. “Algunas son obviamente pistas de relleno, a lo más. Pero hay destellos de genialidad que no se han diluido”, resumió The Guardian.
Tampoco es para morirse: desde que dejó de respirar, Jackson ha facturado por casi 13 millones de álbumes vendidos, y se espera que la última entrada en su catálogo sume -al menos- un millón más.
Oportunismo y legado: Michael Jackson vuelve a cinco años de su muerte | Entretención | LA TERCERA
Lanzará Sony remix de Love Never Felt So Good el 19 de mayo por Fedde Le Grand
https://soundcloud.com/feddelegrand/mj-lnfsg-flgrmx
https://soundcloud.com/feddelegrand/mj-lnfsg-flgrmx
Última edición:
MJ-KOP
0
Ayer por la tarde fui a ver a 7 palmas el derbi y me dio por preguntar en el MediaMarkt y me confirmaron que venderian segun el ordenador..edicion standard y deluxe el dia 13 y el 20 el vinilo
ThrobEr
0
Xscape a 0,14€ más gastos de envío a través de un marketseller (NAGIRY) de Amazon:
Amazon.es: Opciones de compra: Xscape [Deluxe Edition] CD+DVD
https://www.youtube.com/watch?v=_dIBL4tYQPI
Amazon.es: Opciones de compra: Xscape [Deluxe Edition] CD+DVD
https://www.youtube.com/watch?v=_dIBL4tYQPI
