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Punto de inflexión en su baile.

Perhaps it can be translated in Spanish. One day I would love to see the book of Harriett J. Manning's about the blackface mask and MJ's dance transformed into visuals. This documentary just scratched the surface.
 
Following the video above and referring to the poppin'/robot more specifically, it was very good - not the best but very, very good. I think it made an effort to include and greatly expand the repertoire of movements and robotic steps, and reached an outstanding level and at times: an honors degree.

These movements he made at the end of Human Nature are related with the song's story. John Bettis, the song's lyricist said in an interview which can be found on Brice Najar website that when he wrote the lyrics ( the song had only Why, why, tell them that is human nature) he thought specifically to Michael's sheltered life. It was kind of allegory and advice he gave him.

Thus MJ appears like a singing bird from his cage, singing his heart out about longing and yearning of normality, then it's time to go back...
 
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Para mí, el final de HN en el Bad Tour , lo percibía-una interpretación personal-como un alien llegado a este mundo y luego de alguna manera paradójicamente- una nave espacial (la luz cenital del escenario*) le atrapaba para abducirle cual platillo volante de la ficción.

*y verde, muy de marcianitos por tanto.
 
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For me, I perceived HN 's ending in the Bad Tour - a personal interpretation - as an alien arriving in this world and then, somehow paradoxically, a spaceship (the overhead light from the stage*) caught him and abducted him like a fictional flying saucer.

*and green, very Martian-like therefore.
In your posts you quote a book written by Xstarlight, is the admin of this forum? What book? Is in Spanish?
I liked your impression :) and wow, it makes sense, after all in this era he was the silver Moonwalker...
I see nature first in his stage movements. I leave aside any comparison, influence, such ,,technical,, details and i see the dance of nature.
 
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